I find myself in a quandary.
As an author of sorts, I realize that it is counterproductive to reveal too much about myself; a healthy amount of mystique is all to the good. When a reader gets to know an author so well that there's really nothing left to discover, that author is more or less finished. You know exactly what she's going to say.
But I'm going to put this out here, hoping that no one, or very few, will discover this, though I almost want it to be known!
I have discovered someone on whom I have a sort of crush! She is a model, and just a few minutes ago I discovered that she has a website, and lives a semi-public life as a sort of free spirit.
What attracted my attention first was her smile, which was nothing short of gleeful, though I have to admit it is serene, in its own way. Right there you have the enigma that this person is: gleeful, serene, mischievous, serious. She seems to be both sensitive and tolerant, a woman for this worrisome age. She seems outgoing, but private.
The least I can do is not stalk her too assiduously!
But there you have it: sometimes you see someone, and you have to tell the world!
Unfortunately, I get crushes like this about once a month, so it isn't going anywhere. But ... what can I say? Having a small crush is a lovely thing.
K.
Tuesday, November 17, 2015
Sunday, September 13, 2015
Helen's Eventful Summer
Just to make sure that those who only read this blog get the news as well: I have just published a major chunk of the Helen story in Helen's Eventful Summer, which goes online at Smashwords tomorrow sometime.
The story starts with Helen out in Seattle for a longer-than-usual filming of a feature movie based on several episodes of the Galaxy Show (her regular TV series), in which the space ship The Galactic Voyager discovers a barely habitable planet, and decides to leave a colonizing team on it. Helen has been cloned, and the infant's growth has been artificially accelerated so that she is a teenager within a few months. (This will never be possible; that part is just bad science fiction. If you like a more realistic version of this sort of thing, please read The Music Of the Stars, which is a story about another person called Helen, who has some of the same background as the Helen in this story, but is intended to be someone different.)
Anyway, Helen goes off the rails, and decides to hire a call girl. But being Helen, she manages to get into a complicated relationship with this woman, and worse, shortly after gets into an affair with a girl in a restaurant, called Jana.
Unlike the other Helen stories where I managed to purge most of the explicit sex, this story has enough graphic sex to actually get in the way of the other action. But I just couldn't see how to remove it, because of the plotline. If you're Eastern European, I apologize in advance for the representation of Jana's English. I wanted her to be very foreign, and so I had to tinker with her dialect. She is a wonderful character, so I hope you forgive me for the liberties I have taken with the dialog.
Two other characters emerge in a very three-dimensional way: Elly Kolb, the daughter of Helen's oldest Ex, Janet, and Tomasina Krebs, the daughter of Janet's mother, Old Elly. While Elly has turned over a new leaf and become a good student, Tommy has decided to get into the porn industry as soon as she graduates. In fact, she makes an adult video featurette over the summer break, in which she is a motorcycle babe who abducts a young bride from the altar, and gives her a night she will never forget.
Finally, there is an innocent college freshman, Crystal Baxter, whom Janet meets during a visit to Philadelphia. Crystal is so obsessed with Janet that she walks to Minnesota from her home in Wisconsin, and takes a room close to where Janet teaches. I don't think I have succeeded in making Crystal a believable love interest for Janet, but that's just too bad: Crystal and Janet will be a couple for the long term.
I've had a pretty eventful summer as well.
It started with Google and Facebook flooding me with ads for dresses, just because I happened to see a dress being modeled by a girl that looked attractive. This model was everywhere I looked, sometimes with her eyes cropped out, often with only her mouth and below showing. I started collecting pictures of the dresses she modeled, even though I could never dream of pulling off wearing one of them. She was a classic summer model type: deep tan, bright red lipstick, big curves, lovely classic legs, narrow waist, long bleached blonde hair, beautiful hazel eyes (I managed to find a photo or two with her eyes in them).
I want to say that I stopped short of actually obsessing about her, especially because that wasp-waisted, heavy-breasted girl is not the type I go for. (I prefer girls who look like serious competition swimmers, for instance.) But this woman's face continued to haunt me.
Finally discovered that her name was Renee Somerfield, so I can relax now. Somehow the magic is gone, but she seems interesting, at least in the few interviews I have seen on YouTube since I learned her name. Australian models are interesting at least because of their accents; I love to watch Miranda Kerr on YouTube, with her sly humor.
So that was pretty exciting while I was still looking for a name to go with the face of Renee Somerfield. She looks fabulous in dresses, but a little too 'Swimsuit Model' stereotypical in a swimsuit. Stick to dresses, Renee, and who knows: I might buy one of those!!
Kay
The story starts with Helen out in Seattle for a longer-than-usual filming of a feature movie based on several episodes of the Galaxy Show (her regular TV series), in which the space ship The Galactic Voyager discovers a barely habitable planet, and decides to leave a colonizing team on it. Helen has been cloned, and the infant's growth has been artificially accelerated so that she is a teenager within a few months. (This will never be possible; that part is just bad science fiction. If you like a more realistic version of this sort of thing, please read The Music Of the Stars, which is a story about another person called Helen, who has some of the same background as the Helen in this story, but is intended to be someone different.)
Anyway, Helen goes off the rails, and decides to hire a call girl. But being Helen, she manages to get into a complicated relationship with this woman, and worse, shortly after gets into an affair with a girl in a restaurant, called Jana.
Unlike the other Helen stories where I managed to purge most of the explicit sex, this story has enough graphic sex to actually get in the way of the other action. But I just couldn't see how to remove it, because of the plotline. If you're Eastern European, I apologize in advance for the representation of Jana's English. I wanted her to be very foreign, and so I had to tinker with her dialect. She is a wonderful character, so I hope you forgive me for the liberties I have taken with the dialog.
Two other characters emerge in a very three-dimensional way: Elly Kolb, the daughter of Helen's oldest Ex, Janet, and Tomasina Krebs, the daughter of Janet's mother, Old Elly. While Elly has turned over a new leaf and become a good student, Tommy has decided to get into the porn industry as soon as she graduates. In fact, she makes an adult video featurette over the summer break, in which she is a motorcycle babe who abducts a young bride from the altar, and gives her a night she will never forget.
Finally, there is an innocent college freshman, Crystal Baxter, whom Janet meets during a visit to Philadelphia. Crystal is so obsessed with Janet that she walks to Minnesota from her home in Wisconsin, and takes a room close to where Janet teaches. I don't think I have succeeded in making Crystal a believable love interest for Janet, but that's just too bad: Crystal and Janet will be a couple for the long term.
I've had a pretty eventful summer as well.
It started with Google and Facebook flooding me with ads for dresses, just because I happened to see a dress being modeled by a girl that looked attractive. This model was everywhere I looked, sometimes with her eyes cropped out, often with only her mouth and below showing. I started collecting pictures of the dresses she modeled, even though I could never dream of pulling off wearing one of them. She was a classic summer model type: deep tan, bright red lipstick, big curves, lovely classic legs, narrow waist, long bleached blonde hair, beautiful hazel eyes (I managed to find a photo or two with her eyes in them).
I want to say that I stopped short of actually obsessing about her, especially because that wasp-waisted, heavy-breasted girl is not the type I go for. (I prefer girls who look like serious competition swimmers, for instance.) But this woman's face continued to haunt me.
Finally discovered that her name was Renee Somerfield, so I can relax now. Somehow the magic is gone, but she seems interesting, at least in the few interviews I have seen on YouTube since I learned her name. Australian models are interesting at least because of their accents; I love to watch Miranda Kerr on YouTube, with her sly humor.
So that was pretty exciting while I was still looking for a name to go with the face of Renee Somerfield. She looks fabulous in dresses, but a little too 'Swimsuit Model' stereotypical in a swimsuit. Stick to dresses, Renee, and who knows: I might buy one of those!!
Kay
Monday, December 29, 2014
A Brief Update
I forgot to report that the episode "Helen vs. Handel's Messiah" was re-published for the Holiday Season (or, more specifically, the Christmas season, since it's about Messiah, after all). Please take a look at it. For those who are queasy about too much physical sex, there's very little of that in the story!
The background to the episode is in another episode [yet unpublished], in which Helen sings at a performance in London.
Helen met an unusual and interesting girl at Westfield College, where Helen had taken up an Associate Professorship in music. The other girl (a woman in her middle twenties, actually) was a language instructor, and had introduced herself as Rain. At this time Helen was single, because she and Michelle (her partner while she had been on the run [Helen On the Run--unpublished]) had split up, and her faithful friend Penny (Erin's mother) had died of cancer, and Helen was in fear of violating the Judge's exhortation to conduct herself in a manner suitable to a mother of two young children, on pain of being sent to serve her suspended sentence for kidnapping. (The kids, of course, were her own, but that's another story.)
Rain and Helen were soon desperately in love. Helen had a firm friendship with Sophie Cocteau, a tennis player, and of course Lorna Shapiro, who was Becky's girl, also had a serious crush on Helen, but Helen needed someone who could be a true partner, for the long term, and it looked very much as though Rain was the one. In addition, Rain just adored the two youngest kids, Alison and James, and that settled it for Helen.
Some time later, Rain disclosed to Helen that her name was actually Evelyn Woodford, and that her father was a British earl. Rain had not written or called home for more than a year, being in rather a rebellious phase. But this new relationship seemed important enough that she wanted her parents to meet Helen. As luck would have it, Helen was also invited to sing in a performance of Messiah in London, which was attended by Queen Elizabeth, who spoke to Helen briefly after the recital, in the Royal Box. The following year, too, Helen spent in England in Rain's family home.
Another wonderful Christmas episode centered around Helen visiting Olive Gibson, the mother of Jeffrey Gibson (little James's father), on which occasion she was also invited to conduct the massed bands of the Armed Services on the Mall in Washington DC. This was also an occasion in which she played tennis with Sophie Cocteau, and there was a brief romance between the two, which they decided, by mutual agreement, not to let get out of hand, simply because every major romance Helen had had up until then had ended badly. Sophie wanted to be a constant presence in Helen's life, for Helen's own sake, and her theory was that it would be impossible if Helen and she became lovers. By the time Helen and Rain (Lady Evelyn) had found each other, Sophie and Helen were merely good friends. (But Helen was harder on Rain than on any of her other lovers, and the end of that relationship reflects more poorly on Helen than anything that happened before or since.)
Kay
The background to the episode is in another episode [yet unpublished], in which Helen sings at a performance in London.
Helen met an unusual and interesting girl at Westfield College, where Helen had taken up an Associate Professorship in music. The other girl (a woman in her middle twenties, actually) was a language instructor, and had introduced herself as Rain. At this time Helen was single, because she and Michelle (her partner while she had been on the run [Helen On the Run--unpublished]) had split up, and her faithful friend Penny (Erin's mother) had died of cancer, and Helen was in fear of violating the Judge's exhortation to conduct herself in a manner suitable to a mother of two young children, on pain of being sent to serve her suspended sentence for kidnapping. (The kids, of course, were her own, but that's another story.)
Rain and Helen were soon desperately in love. Helen had a firm friendship with Sophie Cocteau, a tennis player, and of course Lorna Shapiro, who was Becky's girl, also had a serious crush on Helen, but Helen needed someone who could be a true partner, for the long term, and it looked very much as though Rain was the one. In addition, Rain just adored the two youngest kids, Alison and James, and that settled it for Helen.
Some time later, Rain disclosed to Helen that her name was actually Evelyn Woodford, and that her father was a British earl. Rain had not written or called home for more than a year, being in rather a rebellious phase. But this new relationship seemed important enough that she wanted her parents to meet Helen. As luck would have it, Helen was also invited to sing in a performance of Messiah in London, which was attended by Queen Elizabeth, who spoke to Helen briefly after the recital, in the Royal Box. The following year, too, Helen spent in England in Rain's family home.
Another wonderful Christmas episode centered around Helen visiting Olive Gibson, the mother of Jeffrey Gibson (little James's father), on which occasion she was also invited to conduct the massed bands of the Armed Services on the Mall in Washington DC. This was also an occasion in which she played tennis with Sophie Cocteau, and there was a brief romance between the two, which they decided, by mutual agreement, not to let get out of hand, simply because every major romance Helen had had up until then had ended badly. Sophie wanted to be a constant presence in Helen's life, for Helen's own sake, and her theory was that it would be impossible if Helen and she became lovers. By the time Helen and Rain (Lady Evelyn) had found each other, Sophie and Helen were merely good friends. (But Helen was harder on Rain than on any of her other lovers, and the end of that relationship reflects more poorly on Helen than anything that happened before or since.)
Kay
Tuesday, July 15, 2014
Making A Cover for “On The Run”
I'm not sure who reads this blog (in contrast to the sister blog: Don't Wait for the Movie!), but I feel guilty about putting all the latest information about the Helen project on Smashwords over there. In short, I'm publishing the entire Helen story in installments on Smashwords, which is essentially a self-publishing website.
Helen and Lalitha: The Lost Years was put up a couple of weeks ago. It takes up the story after Helen gets back from ballet camp, (Helen at Ballet Camp), and describes how she meets Lalitha, an important, recurring character. The book I'm working on now is Helen On the Run: The Lost Years 2, which describes how Erin joins the family, and little James is born. In the first half of this story, Helen masquerades as a man, a construction worker. In the second half, Helen is pregnant (well, she's pregnant pretty much the whole time).
When I made the cover, I first had a picture of a guy in a hard hat, and put it in a sort of Southwestern landscape. But it looked rather dismal; I had put a lot of texture on it, because it looked so plain with just the picture of the gal in the hard hat. Here is what it looked like at that point:
It is the head of a girl, and the body of a man, but I widened the hips, so that it looked more plausibly a pregnant woman. But by the time I had finished with the texturing, it looked really gloomy. People would have thought: she should jolly well be on the run, and she can stay on the run, for all we care!
But I thought we needed a softer image of a pregnant girl, so I added, behind the construction girl, a pregnant woman, lying on the ground. It now looks like this:
I'm kind of proud of the lettering, which looks like a Wanted poster from the Old West. Unfortunately, the pregnant woman looks like she's been amputated at the hips, which is really peculiar. I guess more work is needed...
[To be continued ...]
Kay
Helen and Lalitha: The Lost Years was put up a couple of weeks ago. It takes up the story after Helen gets back from ballet camp, (Helen at Ballet Camp), and describes how she meets Lalitha, an important, recurring character. The book I'm working on now is Helen On the Run: The Lost Years 2, which describes how Erin joins the family, and little James is born. In the first half of this story, Helen masquerades as a man, a construction worker. In the second half, Helen is pregnant (well, she's pregnant pretty much the whole time).
When I made the cover, I first had a picture of a guy in a hard hat, and put it in a sort of Southwestern landscape. But it looked rather dismal; I had put a lot of texture on it, because it looked so plain with just the picture of the gal in the hard hat. Here is what it looked like at that point:
It is the head of a girl, and the body of a man, but I widened the hips, so that it looked more plausibly a pregnant woman. But by the time I had finished with the texturing, it looked really gloomy. People would have thought: she should jolly well be on the run, and she can stay on the run, for all we care!
But I thought we needed a softer image of a pregnant girl, so I added, behind the construction girl, a pregnant woman, lying on the ground. It now looks like this:
I'm kind of proud of the lettering, which looks like a Wanted poster from the Old West. Unfortunately, the pregnant woman looks like she's been amputated at the hips, which is really peculiar. I guess more work is needed...
[To be continued ...]
Kay
Tuesday, July 1, 2014
What has been selling on Smashwords
I began publishing books on Smashwords last year, and so far I have published a total of 10 stories there (two of which were seasonal, and which I "unpublished". They get put in the deep freeze, and I can thaw them out again as appropriate).
Out of these books, one is a complete, independent novel, Alexandra (328,000 words), three are short stories, Helen at Ballet Camp (48,000 words), Helen and the Flowershop Girl (less than 10,000 words), and Little John Finds a Friend (11,000 words).
Jane, 125,000 is a major part of another long story, which I put up for free, for no good reason, and it has been downloaded in its entirety almost 600 times (which I'm very pleased about, but of course, I have no idea whether anyone has actually read through it; that's the problem!), while Alexandra, which is the longest book I have published at Smashwords, has sold just 2 copies, at $5.99, which is on the high side. At about 500 words a penny, it is probably not such a huge ripoff, and some of the words are pretty long! Just kidding.
A stand-alone novella, to which I hope to write a sequel, is Prisoner (46,000 words). I love this story very much, and I lavished a lot of care on it, and two copies have sold. It isn't erotica, by any meaning of the word; the little sex there is in it is, I think, important to the plot. I could probably take it out, but it would not be quite as powerful.
Then, there are two major episodes taken from Helen: Helen and Lalitha (74,000 words) and Sweet Hurricane (65,000 words), both of which are important chapters in the Helen story, but neither of them have sold a single copy! So the story that is closest to my heart simply does not resonate with the readers. Hurricane was the first story to get published, so there has been ample time for people to read the 40% sample. Lalitha was published two weeks ago, and I suppose some of you are still laboring through the (enormous) 50% sample you can download for free. I was tempted to just give it away, but in the end I priced it at $2.99, to find out whether anyone is actually reading it. There have been eight downloads of samples, and we shall see how it goes! No pressure, you all; please only buy it if you want to read it :) I have a day job, and I'm comfortably off!!
My greatest loves are music, art and dance, which is why Helen is a musician, an artist, and a dancer. A close runner-up is education, and Helen is a teacher as well, and a good one, unlike me! I'm too impatient with kids who aren't interested; I understand that they're being forced to learn stuff they don't care about, but, well, you know, if you don't care, it is only a truly remarkable teacher who will go more than halfway with you. But, the point is that the Helen story doesn't make sense to anyone uninterested in the world of classical music, so that is probably the biggest brake on the Helen series.
Well, thanks for enduring my rant, if you've read this far! Happy reading!
Kay Hemlock Brown
Sunday, January 19, 2014
Helen Among the Stars
Dear Friends,
Alexandra is a story about war, about cultural diversity, about idealism and society, in a minor way, and about love and lust, and the different ways people love each other. I love that story, and despite the clumsiness of the writing early on, there are a few characters in that story that are types that I love dearly. Some of them reappear as other characters in other stories, but they were first invented in Alexandra, so I feel that these are, in some ways, the originals.
Another story I wrote —the very first— is the story of Helen; a long, rambling saga of a couple million words, which begins when Helen is a teenager, trying to hitch-hike her way to college, and continues her tortured progress through cancer, amnesia, heartbreak, a secret existence as an underage adult entertainer, until she achieves fame as a singer and violinist, and musical genius. Obviously this is a completely implausible story on the face of it. But once Helen was out of graduate school, I got tired of making her so fantastically amazing in everything she undertook, and the story settled down into an account of someone who just barely could exist.
Well, quite incidentally, —and I don't have a clue what made me invent this subplot; it was around 2000— a new TV company, in the story, creates a TV series called Galactic Voyager, in which a spaceship is built in Moon orbit, in the early 21st century, and sent into space with a large number of volunteers on board, including a dozen people, experts, who were in hibernation, frozen alive, like the crew on 2001: A Space Odyssey. One of these is a brilliant musician and dancer called Cecilia.
I made this company invite Helen to play Cecilia on this TV series. (There are excellent reasons why Helen was the ideal choice for the role, in the plot.) As Helen's life goes on, on one weekend a month, she heads out to Seattle, to tape the segments in which she is to appear on the show on Saturday nights. She isn't the star of the show, and lots of stuff goes on in the show, Cecilia's storyline being just one of many. Of course I don't have to describe them all; I only bother to describe the storyline as it impinges on what Cecilia is asked to do.
A year or two later, it struck me that I might just be able to write a Science Fiction novel based on this sub-plot in the Helen story, but this time, it would actually be Helen herself. (The Helen in this SF story is not exactly the same Helen as in her earlier story; in that, towards the end, she has another bout with cancer, which leaves her almost a total amnesiac, regressed to her late teens, totally unable to be a musician, barely a mother to her adopted children. In the new story, Helen is a violinist and conductor who, after a traumatic breakup with her lover, impulsively offers to join the expedition as the first volunteer in hibernation.)
I feel, at this point, that this story: The Music of the Stars is the one most likely of anything I have written, to attract any significant attention from critics or readers. Unfortunately, it is incomplete. But I have several dramatic choices I can make; there is almost too much potential in the story. If anyone reading this is familiar with Science Fiction at all, you must know that absolutely anything can happen. So far, nothing in the story is at all fantastic; it is all boringly plausible from the scientific point of view, so as hard science fiction I suppose it rates fairly low. All my energy has gone into exploring the psychological dynamics of shipboard society, and how some of the personalities respond to the conditions with a lot of grace, while others do not.
So, while I work at Alexandra because I want it published with the least embarrassment to me and to Smashwords, and because I have my pride, and I hate to find weaknesses in my writing which I could have fixed before it went into print, in a sense Alexandra is already finished. But Stars could be more important, and I want to make sure I do right by it, to make the ending truly worthy of the setup! I wish I could tell you more, but it is the sort of story where a spoiler could actually make the story not worth reading.
I guess I just had to get that off my chest!! I should be working on Alexandra, but it's Stars that I read just before I fall asleep at night!
Kay.
I have written a number of stories, only one of which is complete, namely Alexandra, which I'm trying to edit quickly to be ready for release by Monday after next! It is completely written, but since writing it sometime in 2004 or so, I have learned a lot about what to write, and to what degree I want sentimentality to intrude into my writing, and how to express ideas that are just a little trickier than popular authors want to write about! So I have to go back and clean it up, because there are passages in Alexandra that are so utterly extraneous that nobody would enjoy reading them. Well, anyway, I need to clear out at least half of the remaining pages; the rest is pretty well written.
Alexandra is a story about war, about cultural diversity, about idealism and society, in a minor way, and about love and lust, and the different ways people love each other. I love that story, and despite the clumsiness of the writing early on, there are a few characters in that story that are types that I love dearly. Some of them reappear as other characters in other stories, but they were first invented in Alexandra, so I feel that these are, in some ways, the originals.
Another story I wrote —the very first— is the story of Helen; a long, rambling saga of a couple million words, which begins when Helen is a teenager, trying to hitch-hike her way to college, and continues her tortured progress through cancer, amnesia, heartbreak, a secret existence as an underage adult entertainer, until she achieves fame as a singer and violinist, and musical genius. Obviously this is a completely implausible story on the face of it. But once Helen was out of graduate school, I got tired of making her so fantastically amazing in everything she undertook, and the story settled down into an account of someone who just barely could exist.
Well, quite incidentally, —and I don't have a clue what made me invent this subplot; it was around 2000— a new TV company, in the story, creates a TV series called Galactic Voyager, in which a spaceship is built in Moon orbit, in the early 21st century, and sent into space with a large number of volunteers on board, including a dozen people, experts, who were in hibernation, frozen alive, like the crew on 2001: A Space Odyssey. One of these is a brilliant musician and dancer called Cecilia.
I made this company invite Helen to play Cecilia on this TV series. (There are excellent reasons why Helen was the ideal choice for the role, in the plot.) As Helen's life goes on, on one weekend a month, she heads out to Seattle, to tape the segments in which she is to appear on the show on Saturday nights. She isn't the star of the show, and lots of stuff goes on in the show, Cecilia's storyline being just one of many. Of course I don't have to describe them all; I only bother to describe the storyline as it impinges on what Cecilia is asked to do.
A year or two later, it struck me that I might just be able to write a Science Fiction novel based on this sub-plot in the Helen story, but this time, it would actually be Helen herself. (The Helen in this SF story is not exactly the same Helen as in her earlier story; in that, towards the end, she has another bout with cancer, which leaves her almost a total amnesiac, regressed to her late teens, totally unable to be a musician, barely a mother to her adopted children. In the new story, Helen is a violinist and conductor who, after a traumatic breakup with her lover, impulsively offers to join the expedition as the first volunteer in hibernation.)
I feel, at this point, that this story: The Music of the Stars is the one most likely of anything I have written, to attract any significant attention from critics or readers. Unfortunately, it is incomplete. But I have several dramatic choices I can make; there is almost too much potential in the story. If anyone reading this is familiar with Science Fiction at all, you must know that absolutely anything can happen. So far, nothing in the story is at all fantastic; it is all boringly plausible from the scientific point of view, so as hard science fiction I suppose it rates fairly low. All my energy has gone into exploring the psychological dynamics of shipboard society, and how some of the personalities respond to the conditions with a lot of grace, while others do not.
So, while I work at Alexandra because I want it published with the least embarrassment to me and to Smashwords, and because I have my pride, and I hate to find weaknesses in my writing which I could have fixed before it went into print, in a sense Alexandra is already finished. But Stars could be more important, and I want to make sure I do right by it, to make the ending truly worthy of the setup! I wish I could tell you more, but it is the sort of story where a spoiler could actually make the story not worth reading.
I guess I just had to get that off my chest!! I should be working on Alexandra, but it's Stars that I read just before I fall asleep at night!
Kay.
Thursday, November 7, 2013
Helen has Come Out of the Closet!
Thanks to the encouragement that you readers have unwittingly provided, I have decided to publish stories from Helen on Smashwords! Smashwords, some of you might not know, is a site that permits anyone to publish e-books. It is well worth paying it a visit, because some of the e-books on Smashwords are available for absolutely free, while some of them cost as little as 99 cents. (You have to register with them, to get any of this stuff, which--at present--means only that you will get the occasional promotional e-mail from them. I get almost no junk mail from them, even being an author.)
So far, I have published two episodes on the site, namely (1) Sweet Hurricane, which is the story of Helen and kids at the beach, when --and where-- Helen meets Harriet, and shortly afterwards, in Philadelphia, Maryssa and Matthew Brooks, children of the elderly photographer Diane Elman. (Note: this book was subsequently renamed Helen At the Beach.) Both Harriet and Maryssa (and of course Helen, which goes without saying) are among my favorite creations, and though the greater part of Helen has been just thrown together, and only intended as --informal-- therapy for myself, and will require an enormous amount of editing to make it publishable, this episode begins the portion of the "book" where I write for an audience other than myself. Secondly, (2) Little John Finds a Friend is the story of Little John, Helen's young half-brother, now in college, and Taylor Brown, the goth chick who takes charge of him over one Christmas break. Taylor Brown is also one of my favorite characters, and I love her to pieces. She is more of a real person than most of the people in Helen, who are really myself in disguise!
Both those stories have been priced very low (under $3), and are not selling at all! This is not surprising; I'm told that it is rare for a typical writer to make it big on Smashwords, and even rarer to do so with their earliest offerings.
One of my most recent stories (well, begun around 2002) is Jane. I haven't serialized Jane for the simple reason that it contains an enormous amount of sex, and I essentially wrote it for very prurient reasons. But, as I wrote, Jane evolved into a story far more accessible than the Helen stories. Being an amateur musician, I made Helen a total musical phenom, and as a result I suspect that the typical reader will find it hard to relate to someone who comes across as impossibly gifted musically, and impossibly screwed-up psychologically. While Helen is considerate (for the most part) of her colleagues and her students, she is inept in dealing with her significant others--not because she doesn't care for them, but because she finds it so hard to resist temptation. So, anyway, I did a serious amount of sanitizing Jane, and published it completely for free. Obviously, this doesn't bring me any money at all, but, on the other hand, it has been downloaded some 80 times, which is great! You can find Jane here, at Smashwords. I'm in the process of cleaning up spelling and grammar errors, and I hope to have it exactly the way I want it by Thanksgiving.
Synopsis of Jane. Unlike Helen, Jane is a college dropout, has broken up with her husband (or boyfriend; it isn't clear, and I don't care enough to clarify it), and lives in a big house in New York City, taking so-called glamour photographs which her ex helps her put on the Web. He pays her a fraction of the money his website makes, but gradually Jane gets into painting, which is her main avocation. She paints an erotic painting of two of her models blended into a single girl, nude, kneeling in front of an ornate mirror, looking at her crotch. What an awesome picture that would make! I'm sure someone somewhere has done it, but I certainly don't know where to find such an image. Anyway, she sells limited edition prints of this, and makes a lot of money. By this time, she discovers that several people she knows has contracted AIDS, including her lover Deanna, who gradually gets sick and dies.
Jane is devastated. She barely survives for close to a year, occasionally checked on by some of her models, who are very fond of her. Then she meets a pair of twins, who gradually bring her out of her depression. A lot of the story is about other characters who are incidental to the main story, but whose little adventures make Jane a more real person. (I just can't write a story with a straight-line "plot"; sorry. Life isn't like that. However fantastic my stories end up being, and however impossibly brilliant my characters, they live in a sort of real-ish world, where lots of things interfere with what might be considered The Plot.) End of Synopsis. Well, read it and check it out; after all, it is free!
I started writing because (A) I had these awesome fantasies that I got while driving long distances all by myself. I just had to do something while driving for, like 6 or 7 hours at a stretch, which I had to do frequently. Then, (B) I had some unhappy experiences with my partner at one time, and decided to move into separate apartments. When I found myself spending hours and hours by myself with only my coursework assignments to do, I decided to actually put some of my stories down on paper, beginning with Helen.
As I gradually got accustomed to thinking of myself as a sexual animal, and less fearful about appearing so to the outside world, I began to think of a story where the sex was a little more objectivized, and Jane was born. 9-11 plays a role in Jane, but the excerpt I published is taken from well after that event, and is not concerned centrally with it. Jane could end up being the only true book I write.
There is another book, called The Music of the Stars © 2012 , which is very promising. In Helen, it so happens that our heroine is invited to star in a weekly prime time series called The Galactic Voyager. It is set in the not-so-distant future, where an enormous space vessel, called the Galactic Voyager is launched from Earth, with several hundred volunteers on board, including a famous musician and artist called Cecilia. Helen is to play Cecilia, who is put on board in a state of hibernation, which is to say in a deep freeze, to be resuscitated as needed. But a couple of dozen years into the mission, the young people who were born in space are becoming disoriented, because they really don't have a context for living on board a space vessel. I mean, imagine growing up in deep space, and being told that your parents had lived on an actual planet at one time, but now all you have is this cramped spaceship? So Cecilia is revived, to provide them with some meaning in their lives.
Anyhow, I began to think that this story line might actually be better as the basis of a novel than almost anything I have written up to now, though of course, it is squarely in the area of science fiction. So I began to write a new story, and in this one, it is actually Helen who is put in stasis, on board a vessel bound for deep space. She is revived, and then they find themselves in the vicinity of a star system that has a planet that promises to be inhabitable. Meanwhile, Helen's diabetes has taken a turn for the worse, and furthermore, she is the only diabetic on board. In order to ensure that Helen's genes are preserved, they clone her, unbeknownst to her. So, to make a long story short, this has been written at some length: some 225,000 words.
Most interestingly, one of the greatest difficulties I'm having with publishing on Smashwords is --you'll never guess-- creating attractive covers for the books! I am pleased with the cover of Jane. The cover of Little John is a goofy little thing I put together in PowerPoint, which captures the mood of the story amazingly well. (The difficult part is to represent the characters not too closely, because that would spoil it for readers with a strong imagination, whose conception of a particular character might be at odds with the depiction on the cover.) The cover I created for Hurricane is probably the most awful cover ever created by man or woman. Here they are!
Kay
So far, I have published two episodes on the site, namely (1) Sweet Hurricane, which is the story of Helen and kids at the beach, when --and where-- Helen meets Harriet, and shortly afterwards, in Philadelphia, Maryssa and Matthew Brooks, children of the elderly photographer Diane Elman. (Note: this book was subsequently renamed Helen At the Beach.) Both Harriet and Maryssa (and of course Helen, which goes without saying) are among my favorite creations, and though the greater part of Helen has been just thrown together, and only intended as --informal-- therapy for myself, and will require an enormous amount of editing to make it publishable, this episode begins the portion of the "book" where I write for an audience other than myself. Secondly, (2) Little John Finds a Friend is the story of Little John, Helen's young half-brother, now in college, and Taylor Brown, the goth chick who takes charge of him over one Christmas break. Taylor Brown is also one of my favorite characters, and I love her to pieces. She is more of a real person than most of the people in Helen, who are really myself in disguise!
Both those stories have been priced very low (under $3), and are not selling at all! This is not surprising; I'm told that it is rare for a typical writer to make it big on Smashwords, and even rarer to do so with their earliest offerings.
![]() |
| An image I featured on this site, and how it was modified to be a cover for Jane. |
Synopsis of Jane. Unlike Helen, Jane is a college dropout, has broken up with her husband (or boyfriend; it isn't clear, and I don't care enough to clarify it), and lives in a big house in New York City, taking so-called glamour photographs which her ex helps her put on the Web. He pays her a fraction of the money his website makes, but gradually Jane gets into painting, which is her main avocation. She paints an erotic painting of two of her models blended into a single girl, nude, kneeling in front of an ornate mirror, looking at her crotch. What an awesome picture that would make! I'm sure someone somewhere has done it, but I certainly don't know where to find such an image. Anyway, she sells limited edition prints of this, and makes a lot of money. By this time, she discovers that several people she knows has contracted AIDS, including her lover Deanna, who gradually gets sick and dies.
Jane is devastated. She barely survives for close to a year, occasionally checked on by some of her models, who are very fond of her. Then she meets a pair of twins, who gradually bring her out of her depression. A lot of the story is about other characters who are incidental to the main story, but whose little adventures make Jane a more real person. (I just can't write a story with a straight-line "plot"; sorry. Life isn't like that. However fantastic my stories end up being, and however impossibly brilliant my characters, they live in a sort of real-ish world, where lots of things interfere with what might be considered The Plot.) End of Synopsis. Well, read it and check it out; after all, it is free!
I started writing because (A) I had these awesome fantasies that I got while driving long distances all by myself. I just had to do something while driving for, like 6 or 7 hours at a stretch, which I had to do frequently. Then, (B) I had some unhappy experiences with my partner at one time, and decided to move into separate apartments. When I found myself spending hours and hours by myself with only my coursework assignments to do, I decided to actually put some of my stories down on paper, beginning with Helen.
As I gradually got accustomed to thinking of myself as a sexual animal, and less fearful about appearing so to the outside world, I began to think of a story where the sex was a little more objectivized, and Jane was born. 9-11 plays a role in Jane, but the excerpt I published is taken from well after that event, and is not concerned centrally with it. Jane could end up being the only true book I write.
There is another book, called The Music of the Stars © 2012 , which is very promising. In Helen, it so happens that our heroine is invited to star in a weekly prime time series called The Galactic Voyager. It is set in the not-so-distant future, where an enormous space vessel, called the Galactic Voyager is launched from Earth, with several hundred volunteers on board, including a famous musician and artist called Cecilia. Helen is to play Cecilia, who is put on board in a state of hibernation, which is to say in a deep freeze, to be resuscitated as needed. But a couple of dozen years into the mission, the young people who were born in space are becoming disoriented, because they really don't have a context for living on board a space vessel. I mean, imagine growing up in deep space, and being told that your parents had lived on an actual planet at one time, but now all you have is this cramped spaceship? So Cecilia is revived, to provide them with some meaning in their lives.
Anyhow, I began to think that this story line might actually be better as the basis of a novel than almost anything I have written up to now, though of course, it is squarely in the area of science fiction. So I began to write a new story, and in this one, it is actually Helen who is put in stasis, on board a vessel bound for deep space. She is revived, and then they find themselves in the vicinity of a star system that has a planet that promises to be inhabitable. Meanwhile, Helen's diabetes has taken a turn for the worse, and furthermore, she is the only diabetic on board. In order to ensure that Helen's genes are preserved, they clone her, unbeknownst to her. So, to make a long story short, this has been written at some length: some 225,000 words.
Most interestingly, one of the greatest difficulties I'm having with publishing on Smashwords is --you'll never guess-- creating attractive covers for the books! I am pleased with the cover of Jane. The cover of Little John is a goofy little thing I put together in PowerPoint, which captures the mood of the story amazingly well. (The difficult part is to represent the characters not too closely, because that would spoil it for readers with a strong imagination, whose conception of a particular character might be at odds with the depiction on the cover.) The cover I created for Hurricane is probably the most awful cover ever created by man or woman. Here they are!
Kay
Subscribe to:
Comments (Atom)






